Showing posts with label violence. Show all posts
Showing posts with label violence. Show all posts

Tuesday, March 15, 2011

Kid Chocolate & The Swamp Donkey

In Which a Charming Anecdote From My Childhood is Recounted For Purposes of Contextualizing the Ensuing Chronicle of Puglistic Record, as Well as a List of Names of Great Hyperbole, whose Purpose is Intended to Both Enrich the Swagger of the Bearers' and Enhance the Intimidation of Their Opposition.

Ah! the sweet sound of knuckles cracking against flesh! The scent of Iron and Calcium upon the breeze! The faint aura of pulverized bone and mists of blood misting in the atmosphere! These are but a few of the many delights to be beheld upon the viewing of two expert Pugilists practicing their science. I recall with delight the first match I glimpsed as a wee child. My father, reeking of his unique home grown blend of chewing tobacco and q'at left me unattended as he went on a mission to raise hell at the local seed co op for their multitude of insults in attempting to fend off upon him inferior brands of alfalfa as well as spreading ill-mannered rumors that his sorghum had grown a blight. I had intentions of loitering about the local pharmacy to see what manner of sweet sundries a fleet fingered child could lay claim to, but as luck would have it I was distracted by a rumbling mob gathering in the gravel, their locus point a cloud of dust obscuring violent thuds. I shoved my way through the knees of the bystanders to behold Bertram the local butcher striking Phineas O'Flannery the farrier a wild uppercut that lifted the Irishman right off the ground. From that second until the moment my father lifted me by the seat of my pants and informed me of rocks that could not wait a minute more to be plucked from a certain field I was enraptured by the spectacle. And to this day I still recall with intensity that as my father gathered me away from the melee, I heard a resounding crack from behind and almost simultaneously felt something hard and wet strike the back of my neck. Turning as I walked, I saw that the Irishman's jaw had been punched straight off with such force that it had arced all of the way to my neck, where thence it ricocheted off into the boot scuffled dust.

The art of boxing can be traced back to the gladiator matches of ancient Rome, which itself adopted the form of hand to hand combat known as Pankration from the Greek Olympic games. In these games, men fought either bare knuckled or with the aid of the cestus, a leather battle glove often enhanced by metal chains or spikes, thus having the entirely opposite effect of the modern boxing glove. Bare knuckle boxing was rediscovered during the Enlightenment's general fascination with classical past-times, and became something of a Gentleman's sport in 18th and 19th century Britain thanks to the influence of such notables as John Broughton, the man who invented many of the rules of what he named "the noble art of self-defense," and "The Rake of Rakes" Sir Barry, 7th Earl of Barrymore, who himself both patronized and participated in dust ups through out his time. In time, both Oxford and Cambridge Universities initiated their own amateur pugilists' societies, who to this day compete annually in the True Love Bowl.

One aspect of Boxing that remains unchanged from the Enlightenment on is the prominence of Personality. No famed pugilist goes without at least one nom de guerre, and many have made names for themselves by their striking manners of speech as much as their manners of striking. To "top off" this slight essay, I shall offer a brief array of distinctive aliases of but a few of my most favored of the Sweet Scientists in hope of turning yet another young mind to studying the annals of structuralized violence.

Kevin Kelly: The Flushing Flash

Calvin Brock: The Boxing Banker

Scott Walker: The Pink Cat

Willie Monroe: The Worm

Michael Nunn: Second To

Andrew Lewis: Six Heads

Lew Jenkins: The Living Death, and The Sweet Swatter from Sweetwater, Texas

Peter Quillin: Kid Chocolate

Micky Walker: The Toy Bulldog

Adam Richards: The Swamp Donkey

Josh Barnett: The BabyFace Assassin

Alexis Arguello: Explosive Thin Man (or El Flaco Explosivo as he would have it)

Mike McCallum: The Body Snatcher

Bobby Watts: Boogaloo

Jonny Bumphus: Bump City

Michael Carbajal: Little Hands of Stone

Donnell Holmes: The Real Touch of Sleep

Calvin Grove: Silky Smooth

Nate Campbell: The Galaxy Warrior

Primo Carnera: The Ambling Alp

Oliver McCall: The Atomic Bull

Henry Armstrong: Homicide Hank

Benny Leonard: The Ghetto Wizard

Henry Buchanan: Sugar Poo

James Braddock: The Cinderella Man

Lance Whitaker: Goofi1

and of course, Darnell Wilson: The Ding-A-Ling Man

A disclaimer: In case you have not yet noticed, you are reading this on the inter-net, a veritable den of lies and numerous other such iniquities. As such, I shall refrain from offering any but the vaguest of references to any of the informations that I share with you, here or elsewhere, as any critical thinker worth his salt in this day and age should verify any information for his self. You may consider yourself warned, and enriched for the experience.


1It has been said that he actually legally changed his first name to Goofi

Tuesday, March 8, 2011

Dalliance Upon the Tree of Woe

In Which a Short Introduction to the World of Wrestling Holds is Given, in the Interest of Sharing With You the Sheer Tactile Bliss of Their Sobriquets


As I may have already informed you, my faithful readers, I consider myself an exemplar of masculinity. As such, there are only two competitive spectator sports that I deign to keep myself informed upon: The Sweet Science of Pugilism, and Wrestling. In striking contrast to many of today's popular competitions which are riddled with byzantine bureaucratic tomfoolery and crass consumerism, these rivalries are notable for their strict reliance upon the participants embodying the twin ideals of physical perfection and keen strategic cunning.

Today we shall focus upon the art of Wrestling and I shall save my words on Pugilism for a future posting. Wrestling is unique in it's fusion of populist Guignol theatre with supra human feats of strength. As a gift to you, I shall share with you the titles of a few of my favorite wrestling holds, may the distinct and concise poetry of their nomenclatures in hinting at the violence of their intents enliven your day.

Front Chancery

Camel Clutch

Fujiwara Armbar

Gogoplata (aka Hell's Gate)

Boston Crab

Seated Matchbook Pin

Pumphandle

Rivera Cloverleaf

Tiger Feint Crucifix Armbar

The Lady of the Lake

Skin the Cat

The Tree of Woe

As a project for you at home, try but a few of these out upon a sibling, or a bemused neighbor for a chance to feel the innate poetry of the cognomens. If you are of a more meek-minded nature, construct a sonnet utilizing as many of these christenings as possible, or perhaps a series of haiku accompanied by Water Color paintings.